China's copper sculpture industry network news China's copper sculpture industry network recommended copper Buddha statues of different dynasties The bronze Buddha statues of different periods also have different characteristics: Several characteristics of the Buddha statues of the Ming Dynasty; The face of the Buddha statue in the Qing Dynasty was rich and round, rich and generous, with large ears and shoulders, white bulging, delicate facial features, and vivid eyes. The body proportions are coordinated and beautifully shaped. There are many Chinese clothes, the clothes are radial, the folds are vivid and the 帔帛 is relatively wide. The enamel and beaded ornaments on the chest are extremely delicate and delicate. The base of the rosette is obviously squatting, the lotus petals are regular and flat, generally only half of the circumference, the eye line of the female is a wave of three folds, the spacing is wider, the crown leaves are flat, not hollow. These are the shapes and postures of different dynasties of bronze Buddha statues. You can find out more about the bronze Buddha statues. You can pay attention to the China Copper Sculpture Industry Network and visit http:// Oversized Shirt,Personalised T Shirts,Custom T Shirt Printing,Vlone Shirt SHAOXING RUIZI IMPORT&EXPORT CO.,LTD , https://www.ruizigarment.com
The history of the development of Buddha statues has a history of 2,000 years. Each generation has a unique style, showing the unique ethnic style of contemporary people.
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There are several characteristics of the bronze Buddha statue in the Tang Dynasty. The development of hand Buddha image art has reached a certain height. The imagery techniques are becoming more and more delicate, and the skills are becoming more mature, reflecting the aesthetic mentality and artistic sentiments of the Tang Dynasty. The characteristics of the golden and bronze Buddha statues in the Tang Dynasty; the Buddha statues are beautiful, the faces are round and round, like the body is thick, the headpieces are snails, the lines of clothing are natural, complicated and not chaotic; the bodhisattva is like a full body, many sorghum, the upper body is exposed, the next Large intestine skirt. The most popular style of the Bodhisattva in the Tang Dynasty is the "three-stage flexing style", which forms a prominent arc from the chest to the waist, and is matched with the outer contour of the body and the curved curve of the body, also known as the "three-fold technique". That is, the three parts of the head, waist and hip are like "one wave and three folds".
1. The Buddha statues of the early Tang Dynasty continued the style of the statues of the Sui Dynasty. The hair of the Buddha began to be towering and snails prevailed. Buddhism and Bodhisattva face full of enthusiasm, multi-body is strong, and the body proportion is slightly out of tune. Most of the clothing lines are raised lines. Most of the subjects are Maitreya Buddha.
2. The Tang Dynasty is the golden age of Buddha statues. The statues of this period have been rid of the situation of the head and body imbalance in the early Tang Dynasty. The face is full, and the Buddha hair is mostly water-like hairpins or snail hairs. Most of them are shoulder-length coats and right-hand shoulder coats. In addition, there is a square collar drooping coat. Multi-waist pedestal on the pedestal.
3. The Bodhisattva statues of the Tang Dynasty, many sorghums, and the upper body. The most popular style of Bodhisattva is the "three-stage flexing style". From the chest to the waist, a prominent arc is formed, which is matched with a contour like a body contour and a skeleton. It is also called a "three-fold branch", that is, the head, the waist, and the arm are like "one wave and three folds."
4. The Buddha statues of the late Tang and the Five Dynasties were slightly stiffer than the Buddha statues of the Tang Dynasty.
In general, the statues of the bronze Buddha statues in the Tang Dynasty are beautiful, with a round face, a thick body, a tiara with a tiara, and a natural line of clothing. The body is full of chaos; the bodhisattva is full of body, sorghum, upper body, and dew. Large intestine skirt.
1. The face is plump, the eyebrows are long, the nose is high, the lips are thin, the forehead is wider, and the big ears are drooping. The expression is solemn and soft.
2. The body is relatively well-coordinated, the clothes are light and close, the lines are soft, and the pleats turn freely.
3. Bodhisattva shoulders are wide and thin, revealing the upper body, and the character is graceful. It is S-shaped, sturdy, and the accessories are delicate and complicated.
4. The leaves of the crown are hollowed out, and the middle leaves are in the shape of a crescent moon, which is characteristic of the Ming Dynasty.
5. The pedestal is a beam-waist-type rosette, which has a wide shape and a wide width of lotus petals. It is symmetrically distributed in a week and has typical age characteristics.
6. The details of the details are more adequate, the edges of the clothes are engraved with fine patterns, and the late-stage statues are commonly used.
7. The lotus roots are raised, the edges are evenly beaded for one week, the lotus petals are round and the bottom is rolled outwards, which has obvious characteristics of the times.
8. The golden water is colored, the yellow is red, and it is the standard color of the Ming Dynasty.
9. The clothes are smooth, vivid and twisted, and the legs are slightly oval-shaped. It is the method of Ming Dynasty statues.
10. The clothes and the silkworms are more vivid than the real ones, which is a common feature of the Ming Dynasty statues.